Martin appeared as Waltraute in Twilight: Gods with Michigan Opera Theatre and Lyric Opera of Chicago, as Wellgunde in Götterdämmerung with the National Taichung Theatre in Taiwan, the cover of Sister Helen Prejean in Dead Man Walking and singing the 2nd Norn in Götterdämmerung and Waltraute in Die Walküre at Lyric Opera of Chicago, and covering Marguerite in Berlioz’s Le damnation de Faust with the Metropolitan Opera. Martin to Kentucky Opera for her role debut as Orfeo in Orfeo ed Eurydice, Opera Carolina as Amneris is Aida, Dallas Opera as the Minkswoman in Flight, Rochester Philharmonic Orchestra as the Witch in Hansel and Gretel, and Maryland Lyric Opera as Eboli in Don Carlos. In the previous season, Ms.
Martin makes her role debut as Fricka in Dayton Opera’s Das Rheingold, bows as Santuzza in Cavalleria rusticana with Opera Colorado, returns to Lyric Opera of Chicago as Eboli (cover) in Don Carlos, returns to Maryland Lyric Opera as Mistress Quickly in Falstaff, and joins Des Moines Metro Opera as Clarice in The Love for Three Oranges. Praised by The Washington Post for her “gorgeous, warm voice that you want to keep listening to,” American mezzo-soprano Catherine Martin continues to make an impact in repertoire ranging from Verdi and Wagner to Strauss and Bellini.
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